One of the great challenges in arts management of the last decade has been the increasing interest in assessment. Many funders and rating organizations are trying to figure out how to measure whether an organization is effective at what they do.
One common comment on assessment is that we “measure what matters.” I’m not sure this is true so much as the reverse, we make more important the things we measure. This has led to the “teach to the test” mentality of the No Child Left Behind era.
Things are easier to measure in some businesses than others. The medical field has various measures ranging from the length of emergency room wait times to the survival rates of heart surgery patients. Environmental groups show the weight of litter removed, the improvement in water quality, or even the number of people who show up to volunteer for clean-up events.
The arts have struggled with this and relied primarily on “butts in seats” measures. However, this obviously benefits the largest organizations and takes no account of whether the audience was in any way engaged other than by showing up.
If the only thing we can measure is how many people show up then we are creating an environment that will only value blockbuster shows with low ticket prices. That’s great for some things but won’t lead to a broad array of meaningful or impactful arts experiences for audiences or participants.
Finally, a group in the UK, The Independent Theatre Council, is trying to address this situation by offering measurement tools that engage on many levels. Check out their material and put it to use. Then the things that really matter might begin to get measured.
